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Literary Horror & Surrealist Trash

If you would like to explore this author before reading my sycophantic drivel, you can dive into their professional website: horrorsong.com I appreciated the well-researched piece in Neo-Passéism’s Substack about the legacy of Weird Fiction, written by Colby Smith // YUUGENPRAXIS. It juxtaposes well with this essay in Strange Horizons by Zach Gillan, who has spilled much ink over the Weird’s journey into…
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DUNWICH

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Tulpa-Punk
I collect parafictional paraphernalia. You know what I’m talking about: fake things within real things. Hoaxes you can hold in your hand. Nesting doll tales. I boast the complete works of Sutter Cane on my shelf, including the book with actual words between the covers, for which I sacrificed my sanity in a review here. Sutter…
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Words Grow Weird in Alphabet Gardens
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Word Begets Image
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Delicious Lysergic Doom
Title tale of the book, DRIPPY TRIPPY DOOM. We arrived at the church late into the night. Peering up, I appraised the wooden structure. Abandoned years ago when apocalyptic Lutherans were driven out of the basin by the Tongva, it had fallen into disrepair. A century of high desert winds had gifted the teetering steeple…
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The Color of Hope in Furiosa: Black & Chrome
[originally published in Exploits #86, an Unwinnable publication] The Black & Chrome edition of Furiosa: A Mad Max Saga is not entirely black and white. We see startling bursts of color that magnify the film’s thematic preoccupations. This begins with the story’s original sin: a bright peach plucked from the edge of the Green Place.…
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Call Me Face Stabber
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Parasitic Obelysk
Emergent from mist, megalith comes into hue. Like a coral column stretching impossibly high in to the planet’s thermosphere, the monster dominates the view. Discerning shapes fluttering a long its exterior, I close in un til the monumen tum makes clearer: Monumen tal structure subsumes all vision, still miles a way. Spot no top. Light gray porous…
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Beauty of Horror: Beyond the Black Rainbow II.
[Check out Part I. — Picking up from 47:09] David Kane: I just wanna say that I love the opening of this movie, because I love dystopian propaganda as an aesthetic. Shockaholic: (laughs) It’s very good. DK: It’s the perfect paradox of, “You should feel fine,” and as a viewer, you’re like, “I’m gonna go…